Showing posts with label Historical Thinking. Show all posts
Showing posts with label Historical Thinking. Show all posts

Sunday, March 23, 2008

Visual Thinking

Guinea Pig #2 has been busy.

This is...















A topographical and historical  map of the island of Manhattan.

Made of (in case it isn't clear from the photo) plastic bottle tops.

Which my mother saves for him.  As is clear from the photo, she's been saving them for him for... a long time.

At my request, we keep the collection at her house.

Anyway, that's the landscape view.  


Here's a closeup (all photos taken by the Pig):

The blue represents the water, over which the Dutch traveled, to establish the New Amsterdam colony.
















The red represents are the lowlands upon which the Dutch came (already inhabited, Guinea Pig #2 points out, by Native Americans).

The white represents the time after the colony was purchased by the British. 









The tall green ones are the trees alongside what is now Morningside Heights.













Here's the Pig's favorite vantage point.

(Dunno why, really.)














And the tall, multicolored columns are today's skyscrapers.










It's all very vivid in his mind.

And it brings vividly to mind a passage in Learning Outside the Lines, in which Jonathan Mooney describes how he uses color -- color highlighters, colored post-it notes, colored index cards, and ultimately colored LEGOS -- to organize his thoughts before writing.

I can't, honestly, say that I get it.

But... vive la difference.

Sunday, February 10, 2008

Historical Thinking: A True and (Nearly) Digital Story

Last election cycle, the Guinea Pigs and I put up a timeline of all the US Presidents on our back hallway wall.

Well. To be totally honest, I made the timeline, last election cycle. It was very neatly labeled, but the kids didn't really have much to do with the production. It's doubtless still down in the basement somewhere, and since Current President #43 ended up re-elected, we could have saved quite a bit of time if we'd just dusted it off and hung it right on up. But now that my consciousness about the importance of kids engaging in hands-on projects and owning the work has been raised, and in honor of this week's Educational Technology theme, I thought we'd start afresh. So...


To Make a Historical Timeline...


First the Guinea Pigs taped together a looooong strip of paper.











Then they taped on portraits of the Presidents, all in a row. (If you're thinking about writing to ask why it takes 54 flashcards to get to the 43rd President... don't.)











Guinea Pig #3 painstakingly wrote the numbers 1-43 in teeny tiny handwriting...






... and Guinea Pig #2 wrote in the names...









... using a Painless Placemat* to check the spelling.









Then....


Educational Technology Still Life #2:

So You Want to Be a Historical Thinker?

When the Guinea Pigs got tired of writing, they browsed through an assortment of Presidential writings... *






Guinea Pig #3, absorbed in Historical Thinking










Guinea Pig #2, absorbed in Historical Thinking









Guinea Pig #2, expressing his uncertainty about who will emerge as President #44








Ack!! The hallway that we used for last election year's timeline is too short for the one we made this time!! (This year's cards are bigger.)










Of course, using the the playroom wall required that we temporarily interrupt the broadcast to do a little playroom pickup....






Thereafter, affixing the timeline to the playroom wall required so many hands, we had to enlist Mr. Guinea Pig to document our progress...






Guinea Pig #2, pondering the ageless timeline question re: Grover Cleveland: two pictures, or one, with two intervals?








Guinea Pig #3, marveling at James Buchanan's pompadour








Guinea Pig and Historical Thinker #2, worrying anew about who might emerge as President #44







Historical Thinker #3, attempting to revive Historical Thinker #2








* A Presidential Library for Kids:

So You Want to be the President? by Judith St. George and illustrated by David Small. This is one very. funny. book. The others in the series are also good.
Hail to the Chief: The American Presidency by Don Robb and illustrated by Alan Whitschonke. Also funny and informative.
If the Walls Could Talk: Family Life at the White House by Jane O'Connor. Reasonably funny and reasonably informative.
Wackiest White House Pets, by Kathryn Gibbs Davis. Just the thing, for an arguably narrow audience.
Woodrow, the White House Mouse, by Peter Barnes and Cheryl Shaw Barnes. I wouldn't necessarily have thought that taking a mouse-sized view of the Beltway would come off, but this whole series (there are Congressional and Supreme Court rodents as well) is terrific.
The Story of the White House, by Kate Waters. This is a straightforward, easy-to-read book about the White House itself (not the Presidency). Alas, it is evidently out of print.
Painless Learning Placemat: Presidents. I'm thinking these are likely to be going on sale very, very soon.
US Presidents Flash Cards. We used these ones from Brighter Child's this election year. I actually like the ones we used last time, which were published by National Geographic, better -- they were smaller and had actual photographs or photographs of official White House portraits rather than only so-so illustrations herein. But obviously there are a lot of versions out there and any will do for this purpose. If the cards are small, you can get two packs of them and have the kids do a Montessori-style matching exercise with them.

Finally, somewhere in the house, but not immediately traceable for today's still life, we have one last book, Lives of the Presidents: Shame, Fame (and What the Neighbors Thought), by Kathleen Krull, illustrated by Kathryn Hewitt. I like all of these series, which are aimed at a slightly older age group than the above.

2/5 Assignment Part A: Historical Thinking

Among this week's readings was a definition of Historical Thinking. Within the definition were summaries of two sets of standards for Historical Thinking. The US Department of Education, in its rubric for The Nation's Report Card assessment, divides history learning into three dimensions:
  1. Major historical themes
  2. Chronological periods, and
  3. Ways of knowing and thinking about history. This last dimension is further divided into:
  • Historical knowledge and perspective, and
  • Historical analysis and interpretation.
As standards go, these strike me as reasonable.
I have a love/hate relationship with standards. On the one hand, none of us ever arrive anywhere if we don't have a goal and a roadmap. Clarity is Good. Furthermore, education is a fundamentally shared enterprise, in a way that driving is not, so having a shared goal and a shared roadmap is Very Good.

On the other hand, it is very easy indeed for the movement to define standards to devolve into this. And functionally, there is no difference between having 613 "priorities" versus having none at all. Setting goals entails making choices, selecting what's out as well as what's in. Clarity entails Brevity.

(Yes, I do recognize the irony in me, of all people, pointing this out.)

So while I see merit in the goal behind the setting-of-standards; and while I certainly also recognize that in the current climate of near-continuous hyper-testing, content standards are here to stay whether they have merit or not; I also see several potential downsides. If they're too high level, they're meaningless. If they're too detailed, they force a memorization-intensive, teach-to-the-test rote pedagogy that kills all joy in the subject. If they're a long committee-generated grocery list of many flavors of pablum driving nothing by timeconsuming paperwork.... well. The gulf between the goal and the practice can be troubling.
With all those caveats, the Department of Education standards above strike a balance that to me seems reasonable. Perhaps they err a smidge on the "too high level to be helpful" end of the spectrum, but better to err on that side than the other.


What they don't do, however, and which none of the other several sets of historical content standards that I've looked at thus far in the course do either, is speak to the very baseline question of what history is.


I mention this, because as a student, I always loathed history. Several (ahem) decades later, history is a passion which informs every day of my life. The transition from then to now bears deeply on my views of Historical Thinking.


Back in a prior millenium, when I was a student, "history" pretty much meant "lurching from one war to the next." It wasn't just that the pedagogy with which the subject was taught was heavy on rote memorization (though it was), or heavily textbook-reliant (though it was) or almost exclusively individually assessed (though it was). It was, more fundamentally, about what we studied: dates, alliances, political and economic factors leading up to war; battlefield strategies, key armaments and generals during war; shifts in boundaries, changes in regimes, and reconstruction after war. In the rapid sprints between one war and the next (which often we skipped entirely as we approached the end of the school year), we focused on emergent factors which set the groundwork for... the next war.
Year after year, in course after course, with teacher after teacher, this is what History was. The analytical core of the historical narrative was war.


This was unstated, of course; and I expect also unexamined; and therefore, perhaps, unintended. But that's what I always thought history was.


Naturally I dropped the subject the moment I got to college.


However, a couple of years into my economics degree, I had to take a course in economic history. As a declared history loather, I was cranky; but it was required.


In the opening lecture, my professor, Hugh Aitken, announced breezily something to the effect that "In this course, the center of our historical analysis will be technology. We will consider the ways in which technological innovations have affected economic structures, political movements, international competitiveness, superiority in war; and even such seemingly far-flung fields as religion, architecture, art and music. We could, of course, use any number of other constructs at the center of our study of history: political movements, religion, culture, even artistic ideals; and consider how these constructs affected everything else, including technology. And we wouldn't be wrong, because the study of history is the study of people, and all these things are connected. But something has to form the core, the dots that the rest of the narrative connects, and in this course, that core will be technology."


He went on, I'm sure, to say other things, but I did not hear another blessed word. My ears were ringing. At twenty-something years old, this was the greatest "a-ha!" moment of my life to date; and (ahem) several decades later it still rates among the Top Ten.

We could define the center of historical analysis?

We didn't have to lurch from battlefield to battlefield, memorizing dates and generals and how the topography shaped the outcome? We didn't have to consider, at each and every stage of human history, how what was happening was shaping the terrain for the next bloody conflict? We could look at the evolution of cultures, or languages, or religious concepts, or art, and it would actually be... history??!!

That was my personal breakthrough in Historical Thinking. That was the moment at which I was able first to engage in the subject. That was when I first experienced intrinsic motivation to study history, as opposed simply to working towards a good grade or a good test score.


Perhaps by now schools have all moved beyond the awkward lurching from war to war that I endured a millenium ago. Perhaps all history teachers now explicitly consider what construct they're placing at the center of the narrative they teach. Perhaps none of this even bears mention.

But if I'm going to think about Historical Thinking, that is where I have got to begin. With a little speech not unlike the one I heard in the opening lecture of Economic History.

Hugh Aitken died in 1994.

And... I never got around to telling him how fundamentally he'd changed my life.